Choral Music at the Priory Church

The Priory Church Choir, a team of professional singers, sings most of our services throughout the year. It is directed by Rupert Gough, who is Organist & Director of Music of the Parish of Great St Bartholomew – click here to see more about Rupert.

Here is the current team of singers:

Hilary Cronin Hilary Cronin, Soprano, studied at Trinity Laban Conservatoire of Music and Dance under the tutelage of Teresa Cahill and Helen Yorke. She completed a Postgraduate Diploma and an FTCL Diploma thanks to generous support from Trinity College London, Dame Susan Morden and Robinson Hearn. Prior to this, Hilary read Music at Royal Holloway, University of London, where she was awarded the Driver Prize for Excellence in Performance and the Dame Felicity Lott Bursary.

Hilary is an experienced choral singer and has held scholarships at Royal Holloway University, Old Royal Naval College Chapel Greenwich and St Martin in-the-Fields, where she still performs regularly. Hilary trained with Harry Christophers on the Genesis Sixteen Choral Programme and recently completed the St Martin’s Voices Fellows Programme. Hilary has sung with many ensembles including Siglo de Oro, Erebus, Britten Sinfonia Voices, Philharmonia Voices and the Will Todd Ensemble and she has performed with The English Concert and the Academy of St Martin-in-the-Fields. Hilary is in demand as an Oratorio soloist, specialising in works by Bach, Mozart, Haydn and Handel. She has worked with contemporary composers such as Janice Kerbel, Stephen McNeff, Oliver Beer and Julian Marshall.

Hilary’s previous operatic roles have included Susan (A Dinner Engagement – Berkeley), Belinda (Dido and Aeneas – Purcell), Noemie (Cendrillon – Massenet), Gretel (Hansel and Gretel – Humperdinck) and Cunegonde (Candide – Bernstein). Last Autumn, Hilary covered the roles of Diana (La Calisto – Cavalli) and Minerva (Ulysses' Homecoming – Monteverdi) for English Touring Opera.

Click here for more information about Hilary Cronin

Emily Armour, Soprano, is a post-graduate scholar of Trinity Laban Conservatoire. Having studied for a French and Czech degree, she decided singing was more fun and has been pursuing it ever since. Career highlights include singing as a soloist at St. Peter’s Basilica in Rome, touring with The Monteverdi Choir, being a choral scholar at St. Martin-in-the-Fields, crooning with a jazz band in Bordeaux, and singing Christmas carols to Her Majesty’s horses at Buckingham Palace. Her forays into opera have included the role of Linfea in La Calisto with Hampstead Garden Opera and minor, more ethereal, roles such as Siren One, Fairy Three and Witch Two. She has also been a Furie at The Royal Opera House. Emily has regularly performed for BBC Radio and can occasionally be spotted on televison.

Her website can be found by clicking on this link.
Emily Armour

Cecily Beer Cecily Beer, Alto, leads a varied musical career in London as both professional singer and harpist. Her singing career began at the age of 16 as an inaugural member of The Ely Cathedral Girls' Choir, and she has since held positions in the Trinity College of Music Chorus, the Chapel Choir of Royal Holloway, the Choral Scholars of St Martin-in-the-Fields, and the Holst Singers.

Cecily has performed all over the world including Europe, The Middle East, Australasia, the French Polynesia and the USA. She has taken part in broadcasts on BBC Radio 3 and Classic FM, as well as in several television musical appearances. One of her most notable performance was when she appeared as a guest recitalist in Kuwait City, performing as part of the British Council's Cultural Season at the Dar al-Athar al-Islamiyyah in collaboration with the British Embassy of Kuwait.

Cecily has made various solo appearances with orchestras around the country performing an array of music including concerto works by Glière, Mozart, Ravel and Debussy. She currently holds the position of Resident Harpist at The Waldorf Hilton Hotel in Covent Garden, as well as being in high demand for weddings, receptions and corporate events. Such occasions have included performances at private engagements for Rolling Stones member, Ronnie Wood; the former Archbishop of Canterbury, Rowan Williams; Time Out Magazine's New Year's Eve party at the Shard; and for Her Majesty The Queen and the Duke of Edinburgh.

Click here for more information about Cecily's work as a harpist

Bethany Horak-Hallett, Alto, previously studied with John Evans of Guildhall School of Music & Drama. With the generous support of the Noble Award, she is currently studying towards an Mmus in Vocal Studies at Trinity Laban Conservatoire, taught by Alison Wells and coached by Kelvin Lim.

With an extensive background in both solo and choral performance over a huge breadth of repertoire, Bethany completed both her undergraduate and post graduate degrees in vocal performance at Leeds University.

Since moving to London, Bethany has taken on a number of exciting musical projects, including various soloist and alto engagements with Voces8, Philharmonia Chorus Professional Singers Scheme, Southbank Sinfonia, London Contemporary Orchestra, Armonico Consort, Sansara, St Paul’s Cathedral Consort, various deputising engagements in and around London, and member of the coveted Genesis Sixteen Choral Scholarship under the direction of Harry Christophers.

Bethany is also gaining attention as an oratorio and opera soloist, performing both nationally and internationally. As a keen opera performer, solo roles have included Nerone (L'Incoronazione di Poppea, Dorabella (Cosi fan tutti), Dorabella (Cosi fan tutte), Lucia (The Rape of Lucretia), Giovanna (Giovanna d'Arco), Dido, Sorceress, Second Witch, Belinda (Dido and Aeneas), Peaseblossom (A Midsummer Night's Dream), Enchanted Lady (La liberazione di Ruggiero), projects with Opera North, Brighton Early Music Festival, London Youth Orchestra, Surrey Opera, Hashtag Opera, Milton Abbey International Music Festival, and many other fringe companies.
Bethany Horak-Hallett

Edward Ross Edward Ross, Tenor, began singing as a treble chorister at the London Oratory School, where he became Head Chorister of the Schola directed by Mike McCarthy. He was later accepted into the Royal Academy of Music Junior Department as a horn player, and continued to develop his voice. Upon leaving the Academy, Edward joined the choir of St George's Cathedral, Southwark under Nick Gale, initially as a choral scholar and later as a Lay Clerk. During this time he began to sing for choirs in London and around the country, and became a regular for the Schola Gregoriana of Cambridge, the Victoria Consort in Kent, and the Choir of the Holy Redeemer, Chelsea.

Edward's solo engagements have included the Proms with the Chorus of the Orchestra of the Age of Enlightenment under Marin Alsop, Handel's Messiah with the English Opera Company, and in concert at the Gulbenkian theatre, Canterbury, Mozart's Mass in C Minor, and Bach's St John's Passion and Mass in B Minor. He holds a scholarship to study singing on the Postgraduate programme at the Royal Academy of Music starting in September 2016.

Daniel Thomson, Tenor, graduated as Bachelor of Music (Honours) from the University of Melbourne in 2009. Having moved to London in April 2015, Daniel quickly established himself as an expressive and unique performer whilst working in Australia, Canada, England and other parts of Europe.

Daniel regularly deputises in many of London’s major church choirs and is a participant in the Philharmonia Chorus Student Scheme. He is also a core member of several professional groups including Dowland Works (with Dame Emma Kirkby), The Portrait Choir (choir in residence at the National Portrait Gallery, London) and Lux Musicae London – an up-and-coming ensemble of Daniel’s peers that perform madrigals in broken consort with instrumental divisions. Daniel also maintains a busy recital schedule and is known for his expressive interpretation of 16th and 17th century music, often accompanied by lute.

Daniel’s studies have had a particular focus on historically informed performance of music from the 16th to 19th centuries. He has worked in Canada on several recordings using historical, rhetoric-based methods of interpretation under the guidance of Professor Robert Toft at the University of Western Ontario. Currently, Daniel splits his time between Switzerland and London while he is undertaking a Master in Advanced Vocal Ensemble Studies at the Schola Cantorum Basiliensis with Evelyn Tubb and Anthony Rooley.

Click here for more information about Daniel Thomson
Daniel Thomson

Christopher Dollins Christopher Dollins, Bass, was born in Gloucester and studied at Gonville and Caius College, Cambridge and The Royal Academy of Music, graduating with distinction; he currently studies with Glenville Hargreaves and Jonathan Papp.

Operatic roles include Golaud (Pelléas et Mélisande) Nick Shadow (The Rake's Progress), Uberto (La Serva Padrona), Jonathan (Siren Song), Mr Gedge (Albert Herring), Doctor Spinelloccio (Gianni Schicchi) with Royal Academy Opera, and Harašta (The Cunning Little Vixen) for British Youth Opera's 2015 season, as well as working with Opera Holland Park for the 2016 summer season.

Christopher performs widely as a concert soloist and past performances include Bach's Magnificat and St John Passion, Dvorák's Mass in D, Garcia's Requiem, Handel's Messiah and Israel in Egypt, Mozart's Requiem and Coronation Mass, Rossini's Petite Messe Solennelle, Tippett's A Child of our Time and Bach's Christmas Oratorio as part of the Bach Kohn Foundation Cantata series. Consort work includes engagements with Polyphony, BBC Singers, Philarmonia Voices and London Festival Chorus. Competition highlights include winning the 2015 Rosenblatt Recitals Singing Prize, and reaching the Semi-Finals of the 2016 Royal Overseas League Competition.

Christopher has an interest in contemporary music, recent performances of which include John Hopkins's Cantata at the Michaelhouse Festival, Oliver Rudland's Yorkshire Songs in West Road Concert Hall, and the world premiere of Ivan Moody's Fables de la Fontaine with Fitzwilliam Chamber Opera.

Christopher is immensely grateful for the support of the Josephine Baker Trust.

Geoff Williams, bass, received a Masters with Distinction from the Royal Academy of Music and was awarded the A M Parker prize for outstanding scholarship. He has sung with some of the top choirs and churches in London including the BBC singers, Philharmonia Voices, Westminster Cathedral and Brompton Oratory. Recent solo work includes Verdi Requiem, Purcell Ode to St Cecilia and Berlioz L'Enfance du Christ (Herod). He is in demand across many new ensembles such as Sonoro Choir, Chamber choir of London and De Profundis. He is a founder member of the all male quartet Scaramella, which specializes in Early Music, but expands to include all male voice repertoire.

He is also a member of the Philharmonia Chorus on their Professional Singers Scheme, which allows him to work with the world's top conductors such as Semyon Bychkov, Christoph von Dohnanyi and Vasily Petrenko.

He performs as a session singer in film, numerous TV documentaries/adverts and radio. This has included a raunchy Christmas advert for Coco de Mer, a documentary for BBC 4 called The Joy of Rachmaninoff, and Terry Pratchett's memorial concert filmed at the Barbican.

His opera roles include Don Alfonso from Cosi fan tutti for Royal Academy Opera Scenes, and General Achilla from Giulio Cesare for King's College Opera. He also helped devise a role, The Watcher, for a new work The Hunger Artist for Helios Collective.

He studies with Giles Underwood and Gavin Carr.
Geoff Williams